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Movie Review: 30 Minutes or Less (2011)

January 2, 2012 in Movie Reviews, Reviews

The good thing about being stuck a home with a baby is that I can finally start to catch up on my backlog of posts without having an opportunity to increase that backlog.

So today I am going to start with a movie review, the surprisingly decent 30 Minutes or Less.

Danny McBride is a somewhat polarising figure.  We know he can be funny (Pineapple Express) but we also know he can be annoyingly unfunny (Your Highness).  Now we know he can play nasty, stupid villain quite well too.

In the Ruben Fleischer-directed 30 Minutes or Less, he plays a scheming slacker who is after his father’s “fortune”, and together with his bumbling but  knowledgeable sidekick (Nick Swardson) come up with an unnecessary convoluted plan to get his hands on the money.  Without giving away too much more, that plan somehow involves putting under duress Jesse Eisenberg’s character Nick, an abused pizza delivery boy who works for a pizza joint that offers the titular “30 minutes or less” delivery policy (or you get your pizza free and the money comes out of the delivery boy’s wages).

Like many other McBride films, 30 Minutes or Less is highly sporadic, relies on sex jokes (though not as extreme or frequently as some of his other films) and is frankly a little hit and miss — that said, I did find it quite funny.  There was more plot than I had expected (which, for a McBride movie, doesn’t necessarily mean much), but what I think helped the film was the wonderfully talented comedic cast.

Jesse Eisenberg, coming off his performance as Mark Zuckerberg in The Social Network, isn’t overtly funny but does a great job as the straight man in this farce.  It’s similar to what he did in Zombieland, also a film directed by Ruben Fleischer.

Eisenberg allows the comedic talents of the other actors to shine through, in particular his best friend, Indian-American comedian  Aziz Ansari, who has some ripper lines and, for lack of a better expression, a funny face.  Another, who almost steals the show, is Michael Pena, who is utterly hilarious as an assassin.  Fred Ward, who plays McBride’s domineering father, is pretty good as well.

I guess it depends on your tolerance level for jokes based on stupidity and crudeness.  For me, 30 Minutes or Less pressed my buttons but didn’t cross my threshold, which is why I thought it was one of the better comedies of the year.

3.5 stars out of 5!

Movie Review: The Adventures of Tintin (2011) (2D)

November 21, 2011 in Movie Reviews, Reviews

I’m not ordinarily a big fan of animated films and I know almost next to nothing about the adventures of the titular character or the original comics on which they were based (apart from a short visit to the Tintin Museum/Shop in Brussels) — which is why it surprises me to declare that The Adventures of Tintin is one of the most exciting and enjoyable movies I’ve seen this year.

Facts about the film I probably should have been aware of before the opening credits:

  • directed by Steven Spielberg;
  • produced by Peter Jackson and Steven Spielberg;
  • uses performance capture technology (made famous by The Lord of the Rings, King Kong and Rise of the Planet of the Apes) and features the performance capture king, Andy Serkis; and
  • an all-star cast including Jamie Bell (Billy Elliot) as the protagonist Tintin, Serkis as the hilarious Captain Haddock, Daniel Craig as the sinister Sakharine, and Simon Pegg and Nick Frost (the duo from Shawn of the DeadPaul) as Thomson and Thompson, the bumbling detectives.

This film, hopefully the first of a trilogy, is based on three of the original comic books, and tells the story of how young journalist (and essentially detective) Tintin and his beloved dog Snowy become embroiled in a wild adventure involving model ships, secret riddles, pirates and sunken treasures.

Thanks to Spielberg’s masterful storytelling and the amazing visual effects (made possible by the performance capture technology), The Adventures of Tintin is an engrossing, clever, humorous, exciting and wonderfully spectacular animated film.  It is no coincidence that the film reminded me a lot of Spielberg’s Indiana Jones movies (especially the superior earlier ones), where the sense of adventure was genuine, fresh and thrilling.  It is the type of film both children and adults can enjoy.

The look of the film is fantastic — everything but the human characters look real, and my guess is that they held back a little so that the human characters can closer resemble their comic counterparts and avoid looking ‘spooky’ (like say Polar Express or Beowulf).  The combination of performance capture and ultra-realistic, high quality animation is spot on — it is impossible to imagine a traditionally animated film (or even a purely computer animated one) or a live action version of Tintin having the same atmosphere or effect.  It looks real but not too real, allowing the film to utilise techniques and storytelling methods that work well in animated films but not live action ones.

The performances were fantastic.  Rather than just providing voices, the subtleties of the actors’ body movements and expressions were also encapsulated in the characters they portrayed.  It made a difference.  Serkis’s Captain Haddock in particular was a standout, even if he might have come across as excessive at times.  Daniel Craig was practically unrecognisable, and Simon Pegg and Nick Frost’s unmatched chemistry brought a certain harmony to Thomson and Thompson.

Although the 107-minute running time might have been 10-15 minutes over the ideal length of such a film, on the whole I was immensely impressed with The Adventures of Tintin.  This is coming from someone who had never read a Tintin comic book and previously had no interest in ever reading one.  Now I can’t wait for them to make the sequel, which will allegedly by directed by Peter Jackson (as soon as he is done with The Hobbit).

I don’t know if the film did justice to the original character or the comic books.  But to me it doesn’t matter.  A good film is a good film, and The Adventures of Tintin is just that.

4.5 out of 5 stars!

PS: I am continuing my stance of ‘no 3D’.  I don’t think 3D would have necessarily ruined this film, but I don’t think it would have helped.  2D was perfectly fine, and it was good enough for me.

What the crap is going on?

June 30, 2011 in Blogging, Entertainment, Misc, Movie Reviews, Reviews

So I get up this morning and, as I do on most days, check my email — and I’m shocked to see there are hundreds of unread emails that aren’t spam!  Turns out, my post on The 20 Most Rewatchable Movies of All-Time was ‘freshly pressed’ on WordPress (whatever that means).  All I know is that a lot of people have been reading it, liking it and commenting on it.

This is a humble little site that gets around 1000 hits a day, so I sincerely thank everyone for visiting and taking their time to comment, even if it’s just to say it’s the worst piece of crap they have ever come across.

I don’t have time to respond to each comment, so what I’ve done is reconsider my list based on the comments made and made an addition list of films that probably should have made the list (maybe not top 20, but on some list measuring rewatchability) but I missed for whatever reason.  Here’s another 30 super rewatchable films, in no particular order.

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25 Films That Scared the Crap Out of Me When I Was a Kid

May 10, 2011 in Entertainment, Misc, Movie Reviews, Reviews

When I was a snotty little kid, my older sister used to always borrow horror movies from the local video store.  Scary movies were all that she watched.  Scary movies and Stand By Me and White Fang (on loop — thanks to crushes on River Phoenix and Ethan Hawke).

I grew to like horror films too, but it wasn’t before they caused some serious lifelong trauma.  Without further ado, here the 25 that scared me the most (entirely from memory).

(to see the list, click on ‘more…’)

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Movie Review: Limitless (2011)

March 25, 2011 in Movie Reviews, Reviews

Decided to go with the 'alternate' poster

Limitless kind of came out from nowhere to become the number one film on my ‘to see’ list.  I had heard nothing about it until a recent trailer, and it was a good one.  A struggling writer (Bradley Cooper) stumbles across a drug that allows him to use 100% of his brain (humans apparently can only utilise about 20% of it).  How cool is that?  The potential, as the title suggests, is limitless.

However, I was also rather wary.  Techno-thrillers with a slight fantasy edge rarely pan out well.  A smart idea is usually let down by a poor screenplay and clumsy execution.  But surprisingly, Limitless didn’t suffer from either.

This was a slick, stylish film (with some eye-popping sequences) that I found simply exhiliarating at times.  Perhaps it’s because the charismatic Cooper plays a writer (or at least starts off as one), or perhaps it’s because the drug opens up so many exciting possibilities, possibilities we can only dream of — whatever the reason, I just wanted to keep watching to see what would happen next.  And unlike most films of this kind, the ending didn’t totally suck.

That’s not to say Limitless is not flawed, because it is.  It’s too long (it’s just 105 minutes but it felt long) and tonally uneven.  Apart from Cooper, the supporting roles are all pretty thankless (Abbie Cornish, Robert De Niro).  And if you really want to look closely you’ll probably find plenty of holes in the story.  But I can overlook all of that because it was interesting, it was thrilling, and it was enjoyable.  A surprise hit.

4 stars out of 5!

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