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Random Funny Movie Scenes

January 17, 2012 in Blogging, Entertainment

Didn’t feel like working this morning and couldn’t sleep, so instead I decided to check out YouTube videos of some of my favourite scenes from comedies I’ve seen over the years.

First up, the most recent comedy I’ve seen, 30 Minutes or Less.  The film was better than expected and featured a couple of great scenes involving Michael Pena.  This is my favourite one of him meeting Jesse Eisenberg’s character to pick up the cash payment for killing Danny McBride’s dad.  In exchange, Eisenberg is expecting a secret code which will disarm the bomb strapped to his body.

Next up, my favourite scene from Pulp Fiction, where Samuel L Jackson and John Travolta head to Quentin Tarantino’s house after accidentally shooting Marvin in the head in the back of their car.  As bad of an actor Tarantino is, this is by far his best performance.

While we’re on Tarantino, here’s my favourite scene (the tipping scene) from his debut classic, Reservoir Dogs. Naturally, it features Mr Pink, Steve Buscemi.

Speaking of the great Buscemi, two of my favourite scenes from one of my favourite movies of all time, Fargo.  The first features Buscemi and Peter Stromare’s characters driving in a car on the way to kidnap William H Macy’s wife.  The second is Buscemi trying to get out of paying $4 at a parking lot.  There’s actually another scene I really like, the one where Buscemi confronts Stromare after getting shot in the face, but I can’t seem to find it in English!

Last but not least, a scene from Hot Rod, which is really quite an awful film, but I had a good time with it, especially this tribute to Footloose.

What a waste of my time…

Movie Review: Warrior (2011)

January 9, 2012 in Best Of, Movie Reviews, Reviews

I still don’t really “get” MMA (mixed martial arts) — whenever I see it on TV it reminds me of a prison shower — but Warrior, starring Aussie Joel Edgerton and Inception‘s and soon to be The Dark Knight Rises’s Tom Hardy, has convinced me to give the sport a second look.

Warrior is, without a doubt, the best MMA movie of all time (give that the competition includes Never Back Down I and II, Fighting and Undisputed II and III), and is arguably one of the best films of the year.  You might say it’s 2011′s The Fighter (the true story of Micky Ward starring Marky Mark and Batman) — a riveting family drama disguised as a violent sports film.

Without the benefit of a “true story” behind it, Warrior does have the danger of being construed as cliched, but as always, it’s all about the execution of the story.  I don’t want to give too much away because the mysteries of the relationships play a big part in the film’s allure and sustaining the drama.  Tom Hardy is Tommy, a child wrestling prodigy who escaped his abusive father (and trainer) with his mother as a teenager.  Edgerton is his big brother Brendan, a former UFC fighter turned struggling physics teacher.  Nick Nolte plays their reformed father.  The event that brings them all together is Sparta, a $5 million winner-takes-all grand prix-style MMA tournament featuring the world’s top fighters, including a frightening undefeated Russian champion.

There is a sense of inevitability in this Gavin O’Connor film (he also wrote the script and co-produced), but it hardly matters because Warrior is a genuinely moving, gripping and explosive drama that touches on such universal themes as forgiveness, redemption and unbreakable familial bonds.  I don’t think the film would be what it is without the top-notch performances of its three stars.  Tom Hardy brings a brooding, tragic presence to the enigmatic Tommy, while Edgerton is picture perfect as the underdog fighting for his family.  And Nolte pretty much has his mumbling old man thing down pat, and is perhaps the most heartbreaking character of them all.

As for the fight scenes — while they are secondary to the film’s drama, and keeping in mind that I’m not a regular viewer of MMA, I personally thought they looked fantastic, as good as any film about fighting I’ve seen.  There were some fast cuts and rapidly changing angles, but I never lost track of what the fighters were doing, and most of all I found the choreography highly engaging and exciting.  There is perhaps an element of implausibility in how the story and/or fights unfold, but everything is handled with so much skill and sufficient subtlety that it becomes forgiveable.

Warrior made an emotional connection with me which made the film enormously satisfying to watch.  I’m not sure if it’ll be the same upon a second viewing or years on later, but for now, in my mind, it’s one of the best fighting movies ever.

4.75 stars out of 5!

Movie Review: 30 Minutes or Less (2011)

January 2, 2012 in Movie Reviews, Reviews

The good thing about being stuck a home with a baby is that I can finally start to catch up on my backlog of posts without having an opportunity to increase that backlog.

So today I am going to start with a movie review, the surprisingly decent 30 Minutes or Less.

Danny McBride is a somewhat polarising figure.  We know he can be funny (Pineapple Express) but we also know he can be annoyingly unfunny (Your Highness).  Now we know he can play nasty, stupid villain quite well too.

In the Ruben Fleischer-directed 30 Minutes or Less, he plays a scheming slacker who is after his father’s “fortune”, and together with his bumbling but  knowledgeable sidekick (Nick Swardson) come up with an unnecessary convoluted plan to get his hands on the money.  Without giving away too much more, that plan somehow involves putting under duress Jesse Eisenberg’s character Nick, an abused pizza delivery boy who works for a pizza joint that offers the titular “30 minutes or less” delivery policy (or you get your pizza free and the money comes out of the delivery boy’s wages).

Like many other McBride films, 30 Minutes or Less is highly sporadic, relies on sex jokes (though not as extreme or frequently as some of his other films) and is frankly a little hit and miss — that said, I did find it quite funny.  There was more plot than I had expected (which, for a McBride movie, doesn’t necessarily mean much), but what I think helped the film was the wonderfully talented comedic cast.

Jesse Eisenberg, coming off his performance as Mark Zuckerberg in The Social Network, isn’t overtly funny but does a great job as the straight man in this farce.  It’s similar to what he did in Zombieland, also a film directed by Ruben Fleischer.

Eisenberg allows the comedic talents of the other actors to shine through, in particular his best friend, Indian-American comedian  Aziz Ansari, who has some ripper lines and, for lack of a better expression, a funny face.  Another, who almost steals the show, is Michael Pena, who is utterly hilarious as an assassin.  Fred Ward, who plays McBride’s domineering father, is pretty good as well.

I guess it depends on your tolerance level for jokes based on stupidity and crudeness.  For me, 30 Minutes or Less pressed my buttons but didn’t cross my threshold, which is why I thought it was one of the better comedies of the year.

3.5 stars out of 5!

Movie Review: The Adventures of Tintin (2011) (2D)

November 21, 2011 in Movie Reviews, Reviews

I’m not ordinarily a big fan of animated films and I know almost next to nothing about the adventures of the titular character or the original comics on which they were based (apart from a short visit to the Tintin Museum/Shop in Brussels) — which is why it surprises me to declare that The Adventures of Tintin is one of the most exciting and enjoyable movies I’ve seen this year.

Facts about the film I probably should have been aware of before the opening credits:

  • directed by Steven Spielberg;
  • produced by Peter Jackson and Steven Spielberg;
  • uses performance capture technology (made famous by The Lord of the Rings, King Kong and Rise of the Planet of the Apes) and features the performance capture king, Andy Serkis; and
  • an all-star cast including Jamie Bell (Billy Elliot) as the protagonist Tintin, Serkis as the hilarious Captain Haddock, Daniel Craig as the sinister Sakharine, and Simon Pegg and Nick Frost (the duo from Shawn of the DeadPaul) as Thomson and Thompson, the bumbling detectives.

This film, hopefully the first of a trilogy, is based on three of the original comic books, and tells the story of how young journalist (and essentially detective) Tintin and his beloved dog Snowy become embroiled in a wild adventure involving model ships, secret riddles, pirates and sunken treasures.

Thanks to Spielberg’s masterful storytelling and the amazing visual effects (made possible by the performance capture technology), The Adventures of Tintin is an engrossing, clever, humorous, exciting and wonderfully spectacular animated film.  It is no coincidence that the film reminded me a lot of Spielberg’s Indiana Jones movies (especially the superior earlier ones), where the sense of adventure was genuine, fresh and thrilling.  It is the type of film both children and adults can enjoy.

The look of the film is fantastic — everything but the human characters look real, and my guess is that they held back a little so that the human characters can closer resemble their comic counterparts and avoid looking ‘spooky’ (like say Polar Express or Beowulf).  The combination of performance capture and ultra-realistic, high quality animation is spot on — it is impossible to imagine a traditionally animated film (or even a purely computer animated one) or a live action version of Tintin having the same atmosphere or effect.  It looks real but not too real, allowing the film to utilise techniques and storytelling methods that work well in animated films but not live action ones.

The performances were fantastic.  Rather than just providing voices, the subtleties of the actors’ body movements and expressions were also encapsulated in the characters they portrayed.  It made a difference.  Serkis’s Captain Haddock in particular was a standout, even if he might have come across as excessive at times.  Daniel Craig was practically unrecognisable, and Simon Pegg and Nick Frost’s unmatched chemistry brought a certain harmony to Thomson and Thompson.

Although the 107-minute running time might have been 10-15 minutes over the ideal length of such a film, on the whole I was immensely impressed with The Adventures of Tintin.  This is coming from someone who had never read a Tintin comic book and previously had no interest in ever reading one.  Now I can’t wait for them to make the sequel, which will allegedly by directed by Peter Jackson (as soon as he is done with The Hobbit).

I don’t know if the film did justice to the original character or the comic books.  But to me it doesn’t matter.  A good film is a good film, and The Adventures of Tintin is just that.

4.5 out of 5 stars!

PS: I am continuing my stance of ‘no 3D’.  I don’t think 3D would have necessarily ruined this film, but I don’t think it would have helped.  2D was perfectly fine, and it was good enough for me.

What the crap is going on?

June 30, 2011 in Blogging, Entertainment, Misc, Movie Reviews, Reviews

So I get up this morning and, as I do on most days, check my email — and I’m shocked to see there are hundreds of unread emails that aren’t spam!  Turns out, my post on The 20 Most Rewatchable Movies of All-Time was ‘freshly pressed’ on WordPress (whatever that means).  All I know is that a lot of people have been reading it, liking it and commenting on it.

This is a humble little site that gets around 1000 hits a day, so I sincerely thank everyone for visiting and taking their time to comment, even if it’s just to say it’s the worst piece of crap they have ever come across.

I don’t have time to respond to each comment, so what I’ve done is reconsider my list based on the comments made and made an addition list of films that probably should have made the list (maybe not top 20, but on some list measuring rewatchability) but I missed for whatever reason.  Here’s another 30 super rewatchable films, in no particular order.

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