You are browsing the archive for comedy.

Movie Review: The Change-Up (2011)

September 20, 2011 in Movie Reviews, Reviews

20110920-054905.jpg

Body-swap movies have been done plenty of times before, and they all seem to follow a similar trajectory — but it doesn’t mean they can’t be funny, especially if done right. The Change-Up, yet another Jason Bateman movie, was much better an expected, and probably the best of his recent batch of films (being Couples Retreat, The Switch, Paul and Horrible Bosses — though some may enjoy the latter two more).

Bateman plays Dave, a corporate lawyer on the verge of partnership. He has a beautiful and loving wife (Leslie Mann) and three young children, but he hardly has any time for them. His unlikely best friend Mitch is played by Ryan Reynolds. Mitch is an immature, struggling actor who spends most of his time on drugs and sex. On a wild boys night out a drunken wish is turned into reality, and before things can be rectified, Dave must now live as Mitch and vice versa.

Of course, you probably already knew this. The selling point of The Change-Up is not the predictable premise, but the laughs spawned from watching Bateman and Reynolds play each other. And there are quite a few decent laughs (which I won’t spoil except to say they are not all revealed in the trailer like the majority of comedies these days) because we are so used to seeing Bateman as the straight man (which he is in just about everything — Smoking Aces is the only exception I can think of) and Reynolds as the cocky, charming hotshot/slacker.

The unfortunate thing about The Change-Up is that it often resorts to crude jokes and gross-out shock tactics. Some of them work; some of them don’t. Honestly, I don’t get what is wrong with so many comedies nowadays, which seem to confuse outraging audiences with amusing them using genuine wit and comedic timing.

Some might also feel that the main female characters don’t get a fair shake in the movie. Mann is your typically supportive but emotional housewife, while Olivia Wilde’s ‘hot law associate’ is perhaps more of a plot device than a realistic character. And before you boys spray your shorts, nudity from both these actresses are done through body doubles and digital effects.

A further problem audiences might pick up is the gaping plot holes. But trying to figure out how a bum with no college education can not only work as a senior associate for days without anyone getting suspicious but also stuff up mega deals without repercussions will only dampen your enjoyment of the movie — so it’s best just to go with the flow and forget about them.

Flaws notwithstanding, The Change-Up is still funnier and more engaging than I had expected. Part of it is due to the fantastic chemistry between Bateman and Reynolds, but what surprised me was that the film actually had some heart at its core. Sure it was the exact same message that all body-swap movies have, but I somehow found myself caring much more than I should have in the end.

3.25 stars out of 5!

Movie Review: Horrible Bosses (2011)

September 16, 2011 in Movie Reviews, Reviews

Horrible Bosses is, in many ways, this year’s Couples Retreat – amazing ensemble cast, clever premise, Jason Bateman, tremendous potential…and disappointing result.  To be fair, it’s a lot funnier than Couples Retreat (not difficult), but Horrible Bosses never reaches the heights it could have soared to.

Anyone who has ever worked for a shitty boss can relate to the premise of this film — Jason Bateman, Jason Sudeikis (Hall Pass) and Charlie Day (It’s Always Sunny in Philadelphia) are friends with horrible bosses: the tormenting maniac Kevin Spacey, the douchebag Colin Farrell and the harassing nympho Jennifer Aniston.  Their lives are hell and they dream of killing their respective bosses, leading them to procure the services of ex-con Jamie Foxx.  The plot starts off being somewhat cookie cutter but to the writers’ credit it went places I didn’t expect it to.

A friend of mine who saw the movie before me found it funny but had problems with the swearing and crudity.  He’s not alone as there have been reports of senior citizens walking out in the middle of the movie.  Jennifer Aniston in particular tries to shed her good girl image with lots of raunchy dialogue.  Personally, I didn’t have a whole lot of problem with the swearing and crudity — what irritated me more was that it wasn’t particularly funny, or at least not enough of it was.  The scenarios were there, the set ups were there, but the jokes lacked the finishing punch.

It’s a shame, because Horrible Bosses has one of the best comedic line ups of the year.  The three main leads play to their strengths.  Bateman is the regular straight-faced, dead-pan character (which works so well for him), Sudeikis is, like he was in Hall Pass, sleazy and a bit of a sexual deviant, and Day is his usual high-pitched, freaking-out self that we know from It’s Always Sunny.  The bosses are indeed horrible and serve their purpose, but aren’t that funny.  Spacey makes you believe he is real (in fact he reminds me of a few real people), Farrell is physically impressive but just okay, and Aniston is not bad, but may be trying too hard at times.  Foxx is probably the highlight despite limited screen time.

I’m not sure what exactly went wrong with Horrible Bosses.  Don’t get me wrong, I laughed a few times and I enjoyed bits and pieces of it.  Dreaming of killing your boss is a deliciously wicked idea, and watching three bumbling idiots trying to get it done is pretty funny.  But at the end of the film I sat there wondering why I didn’t find it funnier.

2.5 stars out of 5

Book Review: ‘Naked’ by David Sedaris

June 29, 2011 in Book Reviews, Reviews

For me, David Sedaris is the master.  When it comes to the type of comedic writing I want to be able to emulate, there’s nobody better than him.  Having attempted (well, attempting) comedic writing myself over the last few months, I am discovering first hand just how difficult it is to make writing amusing.  And Sedaris’s writing is not just amusing — it’s consistently laugh-out-loud funny, but at the same time it is incredibly clever and somehow manages to maintain an air of sophistication.

In my efforts to be more Sedaris-like in my own writings, I sought out one of his earlier books, Naked, published in 1997.  Like the other Sedaris book I read, When You Are Engulfed in Flames (review here), Naked can be classified as a collection of ‘personal essays’ of varying lengths.  Each essay covers an aspect or person of Sedaris’s life, from early childhood to adulthood, and are filled with outrageous characters (many of which are in Sedaris’s family) and anecdotes.

Titles of some of the my favourite essays include ‘A Plague of Tics’ (about Sedaris’s obsessive compulsive tendencies as a child), ‘Dix Hill’ (when Sedaris worked in a mental hospital as a teenager), ‘I Like Guys’ (where Sedaris discovers his homosexuality), ‘The Drama Bug’ (when Sedaris became a theatre fanatic and spoke in Shakespearean for months), ‘Planet of the Apes’ (about Sedaris’s hitchhiking stories), ‘The Incomplete Quad’ (where Sedaris shared dorms with quadriplegic students for free housing), and ‘Naked’ (about Sedaris’s experiences in a nudist colony).

Yes, as the above suggests, Sedaris is a weird, neurotic, somewhat disturbed guy, but he embraces it with a bizarre sense of self-righteousness and humility.  His stories are hilarious because they are so brutally honest, and each joke almost always provides some kind of insight into human nature.  And every now and then he would surprise you with a dash of poignancy, like the piece on his mother’s passing from cancer (‘Ashes’).

Sedaris weaves his internal thoughts, the anecdotes, the stories and the characters together effortlessly with elegant, clean prose, marvellous dialogue (some of which are really mini-soliloquies), astute observations and crafty storytelling.  The thing that amazes me most about Sedaris’s writing is that he knows exactly what words to use to convey the image he wants you to form in your mind.  His descriptions are brief but on the money just about every time, and he can give you a pretty good idea of what a person is like in a just a couple of slabs of dialogue.  He brings his characters to life in a way that few writers can.

I didn’t necessarily like every piece in the book, though that being said, each piece had its moments and I absolutely loved around half a dozen of the 17 essays.  I am certain that I will read his work again (and hopefully sooner rather than later).

4.5 out of 5

Becoming a ruthless killer…of words

May 31, 2011 in Misc, Novel, On Writing, Study

It’s getting down to the business end of things.  The due date for my novel project is just around the corner and I have buckled down for the home stretch!

The novel itself will not be complete (the project only requires a certain number of words) but what I submit will have to be high quality, polished stuff.  And so I have essentially stopped drafting new chapters and am solely focused on reshaping and reworking the existing ones.

On top of that, I have to start trimming the words down to a manageable size.  I’m about 10,000 words over what I should have, and it’s going to be brutal.

Yesterday I commenced what I thought was a murderous rampage through my draft manuscript.  I deleted whole chunks, moved others, rephrased and slashed words and sentences here and there.  I thought I was on a roll.  But when I checked the word count at the end of the day, I had only cut a few hundred words!  It may have had something to do with me adding a little too much new material.

The good news is that I can simply cut entire chapters for the submission.  Find the ones that aren’t working yet and just take them right out.  Get back to them later.

The best advice I received from all the  workshopping I’ve done recently is that for comedic writing (which is what I am striving for here), the best way to go about it is to gather a whole bunch of stuff, find out what works and what doesn’t, and just keep the best bits.

For some reason I was under the assumption that brilliant comedic writers struck gold every time — and some of them probably do — but there’s bound to be certain passages that don’t work and some that work better than others.  The key is finding out which ones.  I find reading the writing out loud really helps — in identifying the strengths and weaknesses, separating the interesting from the boring, and assisting with the rhythm and comedic timing of the jokes and punchlines.

Oh well, better get back to it.  Time is running out.

Movie Review: Just Go With It (2011)

May 6, 2011 in Movie Reviews, Reviews

It seems like it was so long ago that I was an Adam Sandler fan.  I loved his crazy, stupid movies.  No matter what anyone says about them, they were (for the most part) hilarious and unique in that Sandler-esque kind of way.

These days, frankly, Sandler’s movies suck.  They’ve become predictable, formulaic, and not very funny.  I feel like he is undergoing some kind of mid-life crisis, for some reason always trying to make his films have a proper storyline and some kind of message about life.  That’s not his forte.

And so it was with reservations that I went to see Just Go With It, a ‘romantic comedy’ about a plastic surgeon who pretends he is married to lure chicks, kind of like that episode of Seinfeld where George gave it a go.  And just like George in that episode, the scheme backfires when he meets the woman of his dreams (Andy Roddick’s SI model wife Brooklyn Decker), and must now continue to pretend he is temporarily ‘married’ by getting his assistant (Jennifer Aniston) to act as his wife.

You don’t need me to tell you where this movie heads and how it ends up.

As I mentioned above, Sandler doesn’t make good movies anymore (his best efforts these days are, I would say, ‘average’ at best).  Jennifer Aniston almost never makes watchable movies.  Throw the two together and it’s a disaster waiting to happen.

Fortunately for them, there were a few good moments in Just Go With It, but none of them involved Sandler or Aniston.  The real stars of the film were Bailee Madison (who plays Aniston’s quirky daughter) and Nick Swardson (who is more hit and miss but has some good moments as Sandler’s cousin).  And Brooklyn Decker was surprisingly adequate as the fake love interest, demonstrating not only that she can act but also that she possesses decent comedic timing.  There’s also a supporting role with Nicole Kidman that I didn’t know about, but she wasn’t as funny as she could or should have been.

But ultimately, Just Go With It is probably exactly what you’d expect it to be — two big stars, an initially interesting premise, a predictable plot and a few good jokes, but far too many bad ones.  Potentially worthy as a DVD rental on a rainy night if you are in the right mood, but otherwise don’t waste your money.

2.25 stars out of 5

Bad Behavior has blocked 593 access attempts in the last 7 days.