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Movie Review: Fright Night (2D) (2011)

September 26, 2011 in Movie Reviews, Reviews

The original 1985 Fright Night was one of the first movies I can remember watching as a child (a disturbing fact in itself).  My uncle had borrowed the video from the local store and ‘forgot’ to return it, and when the video store went bust (because of people like my uncle), Fright Night became part of the family video collection.

And so I had mixed feelings when I heard that they were doing a remake, and that it was going to be in “I can’t take anymore” 3D.  One of the reasons I was optimistic was because of the awesome cast — Anton Yelchin (there’s something about this kid that I love) was going to play the teenage protagonist Charley Brewster (previously played by William Ragsdale), Toni Collette was going to play his mother, and Colin Farrell (previously Chris Sarandon) was going to be Jerry, the vampire next door.

But on the other hand, a remake is a remake, and remakes seldom hold a candle to the original.

Fortunately, this particular remake was pretty good, primarily because it does not slavishly follow the original (from what I can remember).  The characters are the same and the plot (a teenager suspects the charming next door neighbour is a vampire) largely follows the same trajectory, but the progression, the minor plot points and the overall feel are rather different.

Like the original, one thing this Fright Night remake does extremely well is finding the right balance between horror and comedy.  The horror bits are genuinely scary without relying on cheap shots and the comedy bits are actually quite funny.  It pays homage to the original (Chris Sarandon even makes a cameo appearance) but director Craig Gillespie (who is going to be at the helm of the upcoming Pride and Prejudice and Zombies) clearly had his own vision for this film.

I’m not sure if it’s because of my affection for the original, Anton Yelchin or the fact that the vampires in this film are the evil bloodsuckers they’re meant to be — nothing like those corny Twilight and True Blood romantics — that I found Fright Night to be one of the more pleasant surprises of 2011.

3.75 stars out of 5!

PS: By the way, I had to make quite a trek to find this film in 2D, as almost all cinemas in my area were showing this film exclusively in 3D.  I’m sure it prevented it from losing a half star from my rating.  Sadly, I think the 3D exclusivity is turning a lot of audiences away from this film, which is why it hasn’t stuck around for very long.  When will these 3D money grabbers learn?

Movie Review: New York, I Love You (2009)

April 29, 2010 in Movie Reviews

I just went to see a screening of New York, I Love You, a collection of 10 short films masquerading as a full-length feature.  Despite having one of the most amazing ensemble casts ever, it was no good.  No good at all.

New York, I Love You comes to us from the producers of the French film Paris, je t’aime (ie “Paris, I Love You”) and has basically the same concept.  All stories take place in the city of New York, and each one is about love, or the search for love (which is often confused for sex).  Apart from that, they are entirely different and standalone pieces, even though it is put together as though it is a single film.  Characters from one story might make a cameo in another every now and then — and there’s one character, a girl who walks around New York carrying a video camera, that I suppose links the pieces together — but there’s absolutely no connection between the stories.

You can’t discuss this movie without talking about the actors that make up the ensemble cast.  Just off the top of my head, there was: Natalie Portman, Shia LaBeouf, Ethan Hawke, Bradley Cooper, Hayden Christensen, Anton Yelchin, Blake Lively, Orlando Bloom, Chris Cooper, Christina Ricci, Julie Christie, James Caan, Rachel Bilson, Andy Garcia, Robin Wright Penn, Jacinda Barrett, Maggie Q and Shu Qi.  Brett Ratner directed one of the stories and Natalie Portman wrote and directed another.

I guess the whole point of New York, I Love You was to show off New York as a city, and to make some sort of general comment about the “moments” and “connections” people make, whether it is with a completely random stranger or with someone you’ve been with for 60 years.

Needless to say, I struggled with this movie.  Putting aside that I did not know it was really a collection of short films as opposed to a segmented narrative (eg Love Actually, Crash, He’s Just Not That Into You, Valentines Day), many of the stories didn’t work for me.

That’s what happens when you combine what is essentially 10 films written and directed by different people.  There is no consistency in the style or the tone or the feel of each one (for instance, some stories used internal dialogue; another had a narrator).  More importantly, many of the situations and much of the dialogue felt contrived.  It was very uncomfortable watching something you know is trying to manipulate your emotions in a hurry because it only has 10 minutes in which to do it.  I often found myself shaking my head wondering who on the planet reacts and talks like that to random strangers!

The short films all certainly had a lot of style — with the pretty shots, arty imagery and poetic chit chat — but there was rarely enough substance to establish an emotional connection.  And besides, even if you did connect with a particular character, you may never see them again anyway.

Individually, some of the stories were pretty good, witty and insightful.  My favourite one was a short conversation between Ethan Hawke and Maggie Q.  A couple of others, the one with Anton Yelchin and the one with the old couple, were decent.  However, not all of them hit the mark.  One or two were actually quite boring or irritating.  And the worst part about this being a collection of short films is that about half of them (or more) had a twist ending.  Usually one or two in a film is fine, but when it keeps happening over and over, it can start to get a bit tedious.

I would have very much preferred it had they simply presented the movie as 10 short films written and directed by different people, and broken them up accordingly without trying to force an unnecessary link between them.  Knowing when one short story ended and another began would have helped me reset and watch the next one with a clean slate.  Instead, the “combined” collection we ended up with felt uneven, disjointed and lacking in direction.

New York, I Love You is technically sound, shows New York in a nice light, and features an amazing cast — but so what?  It wasn’t enjoyable and that’s all that mattered in the end.

1.5 out of 5 stars!

Movie Review: Terminator Salvation (2009)

June 8, 2009 in Movie Reviews

Terminator-salvation-poster

I went to see Terminator Salvation with reasonable (albeit guarded) expectations, but the film absolutely exceeded them.  In my humble opinion, it’s the second best film (out of four) of the great Terminator franchise.  Bearing in mind that I thought Terminator 2: Judgment Day was one of the best action movies and sequels of all time, that’s a pretty big compliment for the new film directed by McG and starring Christian Bale and Sam Worthington.

As per usual, I’ll keep plot details to an absolute minimum.  All that needs to be said is that the story revolves around a grown-up John Connor (Christian Bale, or Edward Furlong from T2 and Nick Stahl from T3).  If you’ve seen the previous 3 films or have a vague idea what they are about, then no further explanation is necessary.

However, you don’t need to have seen any of the previous Terminator films to appreciate this one.  It stands up well as an independent feature, and is significantly different in style to its predecessors.  It’s substantially more dark, grim and gritty, capturing the pessimistic mood of the world perfectly.  But when it comes to action sequences, of which Terminator Salvation has plenty, it doesn’t do too shabbily when judged under the high standards set by the franchise.

While I said the story revolves around John Connor, the movie really belongs to new character Markus Wright, played by Aussie Sam Worthington (who will be appearing in Avatar later this year and will play Perseus in the remake of Clash of the Titans).  Worthington is arguably the lead character of the film, and shares just as much as screen time as (if not more than) Bale – and he has the more interesting story.  This is the second time in a row Bale has been relegated to second fiddle despite being the supposed ‘lead character’ for a major film (the first, of course, is when Heath Ledger’s Joker upstaged his Batman in The Dark Knight).  Maybe that’s the real reason Bale went American Psycho on the set!

While Bale and Worthington hog most of the minutes, Anton Yelchin absolutely steals the show as a young Kyle Reese.  He is terrific in this role, and I have become a big fan.  Also solid is Moon Bloodgood, a Resistance soldier, and Jadagrace Berry, too cute for her own good.  Michael Ironside grunts his way through the film for his paycheck, but it is Bryce Dallas Howard that has the most thankless role as as Kate Connor.  She really got short changed.

When people hear a guy named McG directed the film (you may remember him from such films as Charlie’s Angels: Full Throttle), they cringe and refuse to give it a chance.  Poor guy, but that’s the nickname he was given from birth because too many relatives had the same names (real name: Joseph McGinty Nichol).  However, McG does a splendid job in Terminator Salvation, creating a realistic, believable world, keeping the action thrilling and dynamic (with creative camera angles and movements), while managing to add in some cool homages to the previous films.  I thought they were cool anyway.

The special effects were superb, but audiences don’t expect anything less than seamless these days.  Although there were some highly creative sequences, none of them were as iconic as those from T1 or T2.

I was surprised how relatively little fanfare accompanied the release of this movie, which was the first in the franchise without Governor Schwarzenegger in the lead.  I’m not sure if it was because I was hidden from the world during my studies, but to me, Terminator Salvation had none of the hype that surrounded the release of other recent major films such as Star Trek or Angels & Demons.  Of course, there was that infamous psychotic Christian Bale rant on set that made headlines all around the world, but I don’t believe it had anything to do with the unexpected low-keyness of it all.  Then again, that didn’t stop the early reviewers of the film from spoiling the many wonderful surprises in this underrated blockbuster (if you haven’t seen it yet, dear reader, then I hope you had more success than me in avoiding them).

Okay, now the verdict.  In my opinion, it’s better than a 4-star film, but not quite good enough to warrant 4.5 stars.  Hence, I will have to settle for 4.25 stars out of 5!

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