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Pardon the delay

July 17, 2011 in Blogging, Misc, Novel, On Writing, Study

A quick one.  I just got back from our nation’s capital (Canberra) as part of a surprisingly good short vacation.  Contrary to popular belief, there is actually a lot to do there!  So some exciting posts will be coming shortly.  But I’ve still got a few China posts left, which I might try and finish off first.

I also watched the final Harry Potter movie today, so I have to give my two cents on that too.  In short, a fitting finale for a wonderful franchise, and a pretty good film in the grand scheme of things.

Lastly, some great news.  Got a great grade for my masters project (the best possible grade), which gives me a load of confidence moving forward.  I still have to finish the darn thing though, amongst other things.  A lot of big changes coming up in my life.  Not sure if I am ready to tackle them all head on just yet but I don’t really have much of a choice!  I do perform my best under extreme pressure, so maybe it will do me some good.

Stay tuned.

The Last Minute Man!

July 7, 2011 in Blogging, Misc, Novel, On Writing

Source: http://birthdaygift.onetime-offer.com

There is something seriously wrong with me.

It seems I can never can anything done these days unless I have no choice.  I might have a list of tasks I need to complete throughout the day, but for whatever reason I bludge it away and don’t get anything done.  But if there is anything on the list that has a deadline or is something that must be done, I’ll blitz through it at the last minute and complete it with such amazing efficiency that I almost consider it superhuman.  Tasks that would ordinarily take me an hour I would knock out of the park in 10 minutes — but only if I only have 10 minutes to do it.  If I had 15 minutes it would take 15 minutes.  But no matter what, I get it done, right at the last minute.

It’s like those people who lift burning cars to save babies.  When there is no choice and the panic reaches boiling point, I morph into a superhero called the Last Minute Man.  Unfortunately, I have not yet learned to harness this astonishing ability.  I often wonder what my life would be like if I could be Last Minute Man all the time.  I’d be like Bradley Cooper in Limitless.  I would have finished my three books in the last three weeks, rather than biting my thumbs and staring at the wall.  I would have churned this post out in two minutes rather than the 15 it is taking me.

And yes, I have tried to impose on myself superficial deadlines.  But they ultimately don’t work because, well, they are superficial.  When it’s not real life and death Last Minute Man refuses to show.

It’s a horrible power to have because relying on Last Minute Man becomes a habit.  I always think I can leave things until the last minute because Last Minute Man will save me.  I can sit there and stare at the clock, wondering how far I can push it and still get it done.  And I always do.

Damn you, Last Minute Man.  Damn you!

Rekindling the passion with old writing projects

June 27, 2011 in Misc, Novel, On Writing, Study

Have you ever started writing, got halfway through, or almost finished a piece of writing, but for whatever reason never saw it through to the end?  Have you then, days, weeks, months, or even years later, tried to pick it back up again to see if you can finish it off?

That’s what I’ve been trying to do the last few days.  I have no less than three ‘old’ projects that I’m trying to get back on track, with the time off being from a couple of weeks to almost a couple of years.  And you know what?  It’s really really hard.  Ridiculously hard.

What I’ve been trying to do is rekindle the passion I once had with these projects, to recapture the flame inside me that made me want to write all day, work on it all night, think about it as I’m drifting off to sleep and getting right back into it the moment I wake up.  I’ve had those moments with all three projects, but whenever I stop (due to a plethora of reasons, including laziness, procrastination, holidays, other work and unforeseen circumstances outside of my control) I find it difficult to regather that momentum again.

I ask myself why that is the case.  Do I still want to finish them off?  Of course, more than ever — in fact, now is the best time because I actually have the time to work on them.  Do I still think they are good ideas?  Yes.  Perhaps not as brilliant as I originally envisioned, but good enough.  So why, dammit?  Why?

I guess part of it might be because I fear that I’ll pick up the old project, have a look at it, and be stunned into depression over how crap it is and how much work I’ll need to do just to fix it up.  That almost always happens when I look back at my old work.  But surely I’m not alone in that, and others have gone on to put in whatever work was necessary to finish it off.

Having a zillion distractions around you certainly doesn’t help.  That’s why I am so enamoured of full-time writers who work from home, people who can just sit down at the table X number of hours a day and work on their shit rain, hail or shine and no matter how much they don’t want to do it — like a real job.  I remember Stephen King said something like that in On Writing, that you have to take your writing seriously or else no one will.

That’s it.  I’m going to give it a try and see what happens.  Work on my shit like a 9-5 job on the days where I can.  I’ll report back with the results in a couple of weeks.

The end is just the beginning

June 15, 2011 in Blogging, Fantasy, Misc, Novel, On Writing, Study

My masters course has finally finished.

With (soon to be) two masters degrees hanging on my walls I have also become a master of avoiding full-time work as well.  Over the next few weeks I’ll be working on no less than three projects — the secret mini-book I’ll be shopping around for publishers or self-publish, continuing my masters novel, and getting my good old fantasy novel back on track.  And yes, looking for that much needed job will be high on the priority list as well.

Strangely, there is no relief after completing this masters degree like my previous degrees.  Perhaps it’s because I actually wanted to study this time instead of doing it out of obligation.  Or perhaps it’s because I now have to put what I have learned over the last 18 months into practice.

It feels a lot more like a beginning than an end.

Can I dramatise this scene?

June 12, 2011 in Novel, On Writing

Source: mindset.yoursabbatical.com

A few weeks ago we were discussing the use of free indirect discourse in class.  I didn’t even know what it was, even though I had been using it throughout my writings for years.

Free indirect discourse is a way of representing a character’s speech or thoughts using a combination of direct discourse and narratorial commentary.  The simplest example I can think of is instead of writing a whole conversation between two people where you write down every word uttered (followed by ‘he said’ or ‘she said’), you summarise the conversation with narrative (eg, ‘They had a conversation about X’).

It’s used in just about every novel out there, but it’s something I never really thought much about before until I started struggling with my own writing.  Some conversations in my WIP novel(s) didn’t really work or dragged on too long, and probably could have been dispensed with a narrative summary instead of a word by word account.  Conversely, other conversations which I summarised might have worked better if I strung it out more to give the characters more of a voice.

The problem extends beyond just speech for me.  Looking through some of my older drafts, I tended to have a problem of not knowing how to create a scene.  I might not know where to start or where to end a sequence or a series of actions, and it ends up being a long, drawn out, tedious scene where people just do things and talk and do things and talk for an extended period of time.  The pace sags and even if a lot of things are happening it still feels slow and boring.

However, if I just summarise the scenes they end up losing life and take the reader out of the action.

So it’s a delicate balance.  Knowing when to use free indirect discourse and when to summarise scenes and when to write them out in full is a true skill, and a difficult one to master.

The way I look at it now is that I’m a director of a film, and it’s up to me to decide which scenes I want to show, which scenes I want to omit, which parts I want to spell out for audiences and which parts I leave for them to fill in themselves.  Is this scene worthy of being dramatised?  Is the scene capable of creating drama or tension or helps develop a character or reveal something pertinent about the plot?  Is there a point in the reader having to read the entire conversation or know every little thing that a person saw or did in that scene?  Is there a purpose?  If the answers to the questions are yes, then I go ahead and craft the scene in detail.  If the answers are no, then I’ll have to think of an effective way to summarise it.

Either way, it’s not easy!

 

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