You are browsing the archive for Novel.

Unofficial NaNoWriMo Update: Reboot

November 23, 2011 in Novel, On Writing

With a week to go in the official NaNoWriMo challenge, I hope everyone is on track with their target of 50,000 words.

As for me, who isn’t registered for the official version and is doing his own ‘unofficial’ version, here’s a little secret I’m going to whisper to you…I haven’t done anything!

Excuses excuses excuses.  But they are legitimate ones.   I’ve been extremely busy looking for work (both full-time and freelance), which has taken a lot of mental and physical energy out of me.  Emails, letters, updating CVs, phone calls, interviews, tests, samples, etc — on a daily basis.  Plus a family health emergency a week into the month pretty much derailed everything.  As a result, the planned epic writing sessions have not even taken off.

On the bright side, the family emergency is over and it’s all good now.  Plus I have several jobs and freelance gigs either offered or in the pipeline.  The interviews are still going on but after next week I’ll probably have to finally make a decision as to what I am going to do.  Essentially I have two options when it comes to full-time opportunities.  I can go for a traditional job that offers some challenging work that I have an interest in, with traditional hours and reasonable potential.  Or I can go for a very cruisy job with flexible hours that offers slightly less pay but affords me the time to do other things, such as work on my own stuff and freelance.  It’s a dilemma.

Back to NaNoWriMo.  I figured, since this is an unofficial thing anyway, why do I have to create arbitrary rules such as having to write 50,000 words in the month of November?  Why don’t I just reboot and start tomorrow and write 50,000 words in the next 30 days?  Why the heck not?

So that’s what I am going to do.  Not tomorrow (because I have plans…), but maybe next over the weekend or next Monday.  Yes, that’s what I am going to do.  Until I say otherwise.

NaNoWriMo Update: Days 1-3

November 3, 2011 in Blogging, Novel, On Writing

If I could sum up my first 3 days of NaNoWriMo 2011 in 2 words it would be: EPIC FAIL

I had planned to dedicate this entire month to writing my personal projects but, as usual, things didn’t turn out the way I expected them to.  In short, my last three days have been largely spent on job seeking and freelance related work, interviews and other errands.  I’m sure if you counted the words I wrote on work-related emails, CVs and applications it would have totalled in excess of 3000-4000 words (oh, and I did ONE blog post that took about 10 times longer to upload and arrange the photos than write the actual text).  But alas, my total NaNoWriMo word count is officially…(drum roll please)…a big fat ZERO!

In many ways this is good news.  It means I’m actually doing something worthwhile.  I didn’t expect to start looking for work so soon immediately after the big move, but I did a little bit of ground work (expecting it to take a few weeks at least to result in anything), but instead work has suddenly started coming to me.

(Un)fortunately due to certain developments I can’t slow down now on the job/work searching front.  I need to strike while the iron is hot (or in this case, before I have to start accepting/rejecting offers).

What does this mean for my NaNoWriMo challenge?  For now, my goals remain unchanged.  50,000 words.  Now in 27 days instead of 30.  I just need to pick up the pace and make up for the last few days.

I am an optimist by nature.  Or maybe just a moron.

Contemplating NaNoWriMo 2011

October 26, 2011 in Novel, On Writing

 

We’re less than a week away from the start of NaNoWriMo 2011 (that’s National Novel Writing Month for you non-writers) and this year, for the very first time ever, I’m determined to do something.

What the heck does that mean?  I dunno, but it’s not nothing.  I still don’t think I have what it takes to write an actual novel, from start to finish, in 30 days (like Sara Gruen, whose Water for Elephants began as a NaNoWriMo project), but I believe I can do some serious damage in the month of November.  I’ve got two in-progress novels and another book that’s pretty much finished, so why not give it all I’ve got and see what happens?

Of course, this means I won’t officially enter NaNoWriMo this year, again.  But that doesn’t mean I can’t try and write 50,000 words this month (that’s the NaNoWriMo target).  A tad ambitious, considering I have a bunch of other stuff to do, but not impossible.  An average of 1,666 words a day (and it doesn’t even have to be good).  I mean, how hard can it be?

PS: If you’re interested in entering NaNoWriMo (the real one), register at the website here.  Alternatively, if you’re 17 or under, you can try the young writers’ version here.

What kind of fantasy novel are you writing?

August 26, 2011 in Fantasy, Novel, On Writing

Source: readingbookinfo.com

It’s been an exciting few weeks around here for an assortment of reasons I won’t go into, which means my catatonic fantasy novel is being pushed even further back in my list of ‘things I must work on soon’.

I started this novel about 10 years ago as a bored student who had read little fantasy and had zero idea what made a good fantasy novel and even less of an idea on how to write one.  And yet I wrote slabs here and there, developed character biographies, planned, planned and planned some more.  Most of the writing took place over the space of two years, but it’s been one of those projects that can get neglected for years at a time — and it has been.  I guess I am one of those millions of people out there who would love to reach their goal but haven’t yet been willing to (or developed the discipline to) put in the hard work necessary to get there.

My dreams of becoming a fantasy novelist are still very much alive, but the expectations are no longer the same.  Having now read more fantasy and with a better understanding of what makes a good book and how to produce one, it has actually gotten much harder to write.  I also know now what a difficult industry it is, how poorly the industry is performing right now, and how bleak the future is looking for the majority of aspiring novelists.   Not to say it can’t be done, but hard work alone won’t be enough.

Simply being a good writer and writing a great book isn’t going to cut it.  These days, it’s all about the market — and the marketing.  You really have to identify your target market and write specifically for that market.  Sometimes you get lucky and the book has cross-market potential (say Harry Potter), but if you don’t have a clear target market you’ll find it difficult to find a publisher willing to take you on (especially if you are not an established writer).

I find it’s a catch-22 situation: you want to write something that is different to what is already out there at the moment to distinguish yourself from the pack, but publishers are seldom willing to take on books that they can’t comfortably squeeze into a particular genre.

And that’s just to get published.  What about sales?  Of course, paranormal romance has been big since Twilight, and I suppose that’s not really fantasy any more because it kind of become a standalone genre.  It seems every second book on the shelf involves vampires, werewolves or other mythological creatures these days.

More recently, thanks to the HBO series Game of Thrones, epic fantasy is starting to really pick up again, especially those with dark plots that feature demented themes and characters.

When I was in writing workshops, the general consensus was that if you want to sell these days, you ought to target the ‘young adult’ market.  According to Wikipedia, that’s roughly the ages of 14 to 21.  But apart from the Harry Potter clones (ie teenagers playing around with magic and magical worlds) and Twilight clones (ie teenagers falling in love with magical creatures), I can’t really think of any young adult fantasy sub-genres that have been hugely successful in recent years.

Every week I am coming across more and more people who are writing fantasy novels, and the majority of them either doing something generic or one of the above.  And that got me wondering — where the heck does my fantasy novel fit into all of this, and should I be doing anything to change it?

Back before I knew anything about anything, my intention was just to write a good fantasy yarn.  I thought I had a good story, a few interesting characters, and didn’t think about much else.  I suppose if I had a particular slant, it was to make the novel less like the sprawling fantasy epics that give me headaches just trying to decipher the blurb on the back cover.  I wanted to write something lighter, more straightforward and action-packed, like a thriller with a fantasy setting.  I wanted to appeal to the RPG geeks who like the idea the these fantasy worlds but are either too lazy or find it too tedious to read 1000+ pages for a good story.

I still want to keep that idea in tact, but I’m wondering whether I need to rewrite the damn thing so that it fits more into a particular category.  Because right now, it’s not really anything.  On the one hand, I could go ‘George RR Martin’ and make it a more ‘adult’ fantasy with more violence, gore, treachery and sex (and let’s face it, the geeks love that kind of stuff).  On the other hand, I could go the ‘young adult’ path and make my protagonists younger, make the story slightly more sanitised, and maybe even throw in a little more romance.

They would make completely different books, but I can’t figure out which one would be more appealing to the wider market.

Anyway, that’s my aimless rant for the day.  If you too are writing a fantasy novel, what kind of fantasy is it?  Does it follow the trodden path of those before you, or is it something drastically different?  Are you writing with a specific target market in mind or do you not care?  And what makes you think your novel is special enough to be published or potentially become a bestseller?

Is it ever too early to start re-writing?

July 26, 2011 in Fantasy, Misc, Novel, On Writing, Study

Source: http://blog.articlestorehouse.com

I’m trying to put my focus back into writing starting this week, and one aspect of that is to revisit my dormant fantasy novel which I have been thinking about a lot these past couple of months.  I still think the book as potential and I like the story it has to tell, but having written significant chunks of it around 2 years ago, I know it will require plenty of work.

Conventional writing wisdom suggests that rewriting comes after completion of the first draft.  The primary goal in the first attempt is to just get the words of the story out of your mind, out of your system and onto the page.  Anne Lamott, who wrote the popular writing book Bird by Bird, discussed at length the unavoidable ‘shitty first drafts’ even excellent and seasoned writers churn out on a regular basis.

The idea is that if you worry and procrastinate over every paragraph, sentence or word, you’ll never generate any momentum and it will take you much longer to finish the story.  And often it’s when you are in that ‘zone’ of pumping out a copious amount of words at a frenetic pace that some of your best writing is generated (though it has to be ‘unearthed’ from all the crappy stuff).

However, although I am not even at the halfway line of the first draft of my fantasy epic (around 150,000 words), I’m highly tempted at the moment to go back to the beginning and rewrite a few of the first chapters.  One of the main reasons is that I realised my beginning lacked a serious punch.  After an action-packed prologue, I started with the usual boring ‘fantasy world introduction’ chapter where I introduced the characters and the world in which they lived in a methodical fashion.  It occurred to me that it would have made a lot more sense to start in the middle of the action, beginning with the final of a tournament in which the protagonist is involved in.  In the current version, the tournament was already over by the time the story began.

But would rewriting before I’ve even finished the first draft be a waste of time?  What if I later change my mind and come up with a better intro?  What if later on I decide to change characters or events?

I read in an interview with Philip Pullman (author of the His Dark Materials trilogy) that he doesn’t have a particular method when it comes to writing and rewriting.  Sometimes he waits until the end and sometimes he does it as he goes along.

In Stephen King’s brilliant On Writing (my review and summary here), he says that first drafts should be completed within 3 months, which is pretty much supernatural for most people out there, but even for him, this essentially means no rewriting until the first draft has been completed.  King also recommended putting the draft aside for a while before coming back to it with fresh eyes.  That said, King might be an anomaly because he seems to churn out pretty decent first drafts.  I say this because he suggests that a second draft should tighten a first draft by 10% and that he usually only does two drafts and a polish for a novel.

Markus Zusak, author of The Book Thief, said in an interview that he did literally 150-200 drafts of the first 90 pages just to get it right.  Can you imagine that?  I did about 5 or 6 drafts of the first chapter of my Masters writing project and I found it to be brutal already.

In the end, my gut tells me that I should just do whatever I feel like, whether it’s keep going or go back to the beginning.  It’s been so long that anything is better than nothing.

Bad Behavior has blocked 788 access attempts in the last 7 days.