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Copyeditor Giving Me Grief

March 7, 2011 in On Writing

As some of you may know, I’ve been working with editors to get a piece I wrote last year published in an anthology.  It had been pretty easy up to this point, partly because I know the editor I’ve been working with and partly because none of the suggested amendments have been substantial or required too much work on my part.

That’s not to say we didn’t have any disagreements on certain things — I pushed back on suggestions I didn’t think worked or made sense, and I relented on things I didn’t think affected the essence of the piece.  It was all quite straightforward.  We probably exchanged three or four versions all up.

Once we agreed on the ‘final version’, the piece then went off to an outsourced copyeditor to get the piece into ‘house style’ (ie the set style of the publisher) and to fix certain things such as punctuation, spelling, grammar, syntax, wording, etc (usually by this stage there are supposed to be very few, though you’d be surprised, as I found out) — and most importantly get the proofs ready (ie how the pages would look like in the finished book).

And so yesterday I received the proofs from my editor.  I was told to check the edits made by the copyeditor and do a final scan, just to be safe.

At first I thought, who cares, there’s no chance of there being any significant changes, so maybe I’ll just be lazy and send it back with my ‘okay’.  The piece has been read dozens of times by more than a dozen people, and any spelling, grammar mistakes (etc) would have been picked up already.  Besides, the proof sent to me was in clean and not marked up, so I had no idea what had actually been amended.

Fortunately, I put my laziness and trust in people aside and decided to have another read (which is tough because you’ve read it so many times and are, frankly, sick of it).  Once you words go into print, they stay there forever, so you can never be too careful.

As it turned out, the copyeditor had made some baffling edits.  Not very substantial ones, of course, but just a change of a word here or there, an additional couple of words here or there, and some changes to punctuation marks.  If they were necessary or somehow improved the piece by making things clearer, then fine, thanks for the help.

But no.  Instead, these changes not only introduced factual errors into the piece, they also affected my voice, style and rhythm — perhaps not in a negative way, but it those things are still mine.  Take them away, and the piece has a different feel.

But what would I know?  I should trust the professionals, right?  If they say I should remove a comma after ‘Consequently’ at the start of a sentence, then okay, I trust their judgment.  If they say I should (for instance) add a comma between ‘John has the ability to make people feel comfortable’ and ‘very quickly’, then fine — I don’t necessarily agree with it but I’ll let it go.

But what is the deal with adding ‘he says’ into a sentence when it’s something I said (as an opinion)?  By the way, this is a non-fiction piece that features quotes take from interviews, so when you say someone said something, you better be damn sure they actually said it.

Similarly, what is the deal with putting quotation marks and italicising a paragraph that is not actually a quote?  Take the following mock sentence as an example:

John accuses Mary of trying to present him as ‘an old cow’.  He also says what Mary said about him ‘was all lies’ and that ‘she could not be trusted.’

There is nothing wrong with that paragraph, but the copyeditor in this situation changed it to the following:

John accuses Mary of ‘trying to present him as “an old cow”.  He also says what Mary said about him “was all lies” and that “she could not be trusted”.

Does that change make sense to you?  And I crazy here, or does this smell like laziness or incompetence on the part of the copyeditor?  Is it a matter of changing things for the sake of changing things so it looks like he/she did their job?

Post Oscars Film Blitz

March 6, 2011 in Movie Reviews, Reviews

I was supposed to review these films one by one, but I really couldn’t be bothered.  So I decided to lump them into a ‘post Oscars’ film blitz, as all of these films were a part of the Oscars.  Kind of.

Here we go…

Rabbit Hole (2010)

I’m not usually into depressing films, but I was in a good mood and thought, why the heck not?  And seriously, they don’t get much more depressing than Rabbit Hole (I haven’t seen Blue Valentine yet, might add it to the list later).

For those who don’t know what it’s about, let’s just say it’s about profound grief and loss, and how to deal with it and move on.  It stars Nicole Kidman in her Oscar-nominated performance, Aaron Eckhart, Diane Wiest and Sandra Oh.

It’s an extremely powerful film, I’ll admit that, and it has some surprisingly amusing sequences, but on the whole, Rabbit Hole is a pretty rough 91 minutes to sit through.  I don’t know what else to say without giving away too much.

As for the performances, I know Kidman got all the kudos, but it beats me how after so many years she still can’t pin down that American accent!  In all honesty, I preferred Eckhart.  I found his scenes more engaging and wondered how Kidman got the nomination and he didn’t.

3.5 stars out of 5

Inside Job (2010)

I rushed out to see Inside Job after it won the Oscar for Best Documentary.  It’s essentially a film that attempts to explain how the Global Financial Crisis (ie the one we’re still recovering from) happened, and tries to apportion the blame to the various parties involved.

Ultimately, despite learning a great deal about the history of the financial markets, the financial instruments, and the GFC itself, I was a little disappointed.  Props for making this film because I know a lot of people (myself included) would like to know just what the heck happened, and how it happened.  However, I did find it somewhat dry in parts and a little too preachy, especially towards the end.  Just listen to director Charles Ferguson’s acceptance speech at the Oscars and you’ll get what I mean.

I am by no means trying to defend the greed and the corruption that plagued the system and led to the collapse, but I think it would have been good to see more of the human side of the crisis.  Rather than simply painting them as the ‘bad guys’ in all of this, I wanted to see what was going through the minds of these bankers and executives as they raked in the money without regard for the consequences — and I wanted to see how the crisis affected the lives of people on all levels of income and wealth.

It was an interesting film and an important one, but apart from a lot of anger and frustration, I didn’t get the deeper emotional connection and understanding I was expecting.

3.5 stars out of 5

No Strings Attached (2011)

This film was obviously not nominated for an Oscar, but the star, Natalie Portman, did win a Best Actress Oscar for another film (Black Swan), so I guess that’s my Oscar connection to justify this film being in the post.

I remember before the Oscars there were people saying that No Strings Attached is potentially so bad that it might derail Natalie’s Oscar chances.  Well, it turned out to be much ado about nothing.  And besides, No Strings Attached was not that bad anyway.  It was just average, which is not horrible considering that most rom-coms these days are.

Portman’s Emma and Ashton Kutcher’s Adam met when they were teenagers at some camp, and kept bumping into each other over the years.  Then Adam’s dad, played by Kevin Kline, does something despicable and sends Adam into a bender and eventually Emma’s house.  Yada, yada, yada, you know what happens, but they decide to have a ‘no strings attached’ relationship.  And yada, yada, yada, you know what happens in the end.

The film started off promisingly enough.  Director Ivan Reitman (pretty mixed bag as a director) infuses the story with quirky humour and likable characters (essential for a good rom-com).  There are some genuinely amusing moments and one-liners littered throughout, though mostly at the beginning.  Kutcher is kind of always the same — with that cheery, but mopey/dopey looking dude-face, while Portman gets to show her less serious side (with shades of her Saturday Night Live performances?).  The chemistry is there, which I must admit surprised me.

As usual, the rom-com shifts from comedy to romance as it strolls along to the predictable finale, and that’s where No Strings Attached fails to bring something fresh to the table.  And for what is really a sweet film at heart, it is inexplicably and unnecessarily dirty — I blame that on all the Judd Apatow films in recent years.

3 stars out of 5

Love and Other Drugs (2010)

The Oscar connections are getting more tenuous.  Love and Other Drugs features Jake Gyllenhaal and Anne Hathaway, the latter of which…hosted the Oscars this year!

Anyway, this is one of those films that I liked more than I should have.  It was marketed as a laugh-out-loud, silly rom-com about two promiscuous people, but that’s really only half true — because the second half, which is completely different to the first, is kind of a depressing ‘disease romance’ (I just made that up).  To me, both halves were pretty good, even though that does make for a fairly uneven film.

What I liked about the first half was the insight into the pharmaceutical industry and in particular medical reps who try and sell drugs to doctors.  And the start of the Viagra craze is always a fascinating thing to relive.  I think the film handled that part very well.  As for the second half, while the laughs died out quickly, I did find myself unexpectedly moved by the story and the emotions of the characters.

So yeah, I enjoyed it.

3.75 stars out of 5

Burlesque (2010)

Mmm…Cher once won an Oscar, and let’s face it, Christina Aguilera never will.  And it won a Golden Globe (a pre-cursor to the Oscars) for Best Original Song.  Oh, and Cher got a Razzie (the opposite of the Oscars) nomination for it this year!

Using the typical ‘small town girl in big city’ template, Burlesque follows Christina as she finds herself working in a burlesque bar (called ‘Burlesque’) where she’s just waiting to be discovered.  Cher is the owner, Kristen Bell is the rival, Eric Dane is the tempter, and Cam Gigandet is the potential love interest.  Fill in the blanks yourself and toss in a bunch of musical song and dance numbers from Christina and Cher, and that’s the movie in a nutshell.

Is it horrible?  No.  I actually expected a lot less, though I would have preferred it if they just went along for the ride and not taken themselves so seriously (because the unintended effect is quite comical).  At the end of the day, Burlesque is a Christina vehicle, and it certainly shows off her spectacular voice and not-too-shabby acting abilities.  It’s campy, musical and melodramatic, just as you would expect it to be.  And while it’s certainly nothing special, it is better than the Britney equivalent (Crossroads).

2.5 stars out of 5

E-Book Millionaire Gives Hope to Aspiring Writers

March 6, 2011 in Blogging, Misc, On Writing, Websites

Source: smh.com.au

A friend of mine recently sent me a link to an article about 26 year-old Amanda Hocking, who is apparently making ‘millions’ in the e-book market on Amazon.

Being an aspiring novelist, I was intrigued by her success, especially since there’s been nothing but depressing news lately on the publishing front with the collapse of RedGroup Retail, the owner of both the Borders and Angus & Robertson bookseller chains in Australia.

Can a writer really become successful selling e-books on Amazon?  Well, Hocking has.  She prices her books between 99 cents and $2.99, but gets to keep 70% of all sales.  She reportedly sells around 100,000 books a month, so by my calculations that would net her between $70,000 and $210,000 a month.  Those are numbers any writer with commercial aspirations would die to have.

Anyway, I looked up Hocking’s blog here, and learned that she is American, and she writes paranormal romance, which means that she probably owes some of her success to that person who wrote a love story between a human and a vampire (and a werewolf).  Hocking’s the bestselling author of Trylle Trilogy and the My Blood Approves series.

However, what I found most interesting came from her post on March 3rd, which really put things in perspective for me.  I’ll just quote her directly:

Everybody seems really excited about what I’m doing and how I’ve been so successful, and from what I’ve been able to understand, it’s because a lot of people think that they can replicate my success and what I’ve done. And while I do think I will not be the only one to do this – others will be as successful as I’ve been, some even more so – I don’t think it will happen that often.

Traditional publishing and indie publishing aren’t all that different, and I don’t think people realize that. Some books and authors are best sellers, but most aren’t. It may be easier to self-publish than it is to traditionally publish, but in all honesty, it’s harder to be a best seller self-publishing than it is with a house.

I don’t think people really grasp how much work I do. I think there is this very big misconception that I was like, “Hey, paranormal is pretty hot right now,” and then I spent a weekend smashing out some words, threw it up online, and woke up the next day with a million dollars in my bank account.

This is literally years of work you’re seeing. And hours and hours of work each day. The amount of time and energy I put into marketing is exhausting. I am continuously overwhelmed by the amount of work I have to do that isn’t writing a book. I hardly have time to write anymore, which sucks and terrifies me.

I also have this tremendous sense of urgency, like if I don’t get everything out now and do everything now, while the iron is hot, everything I’ve worked for will just fall away. For the first time, I truly understand why workaholics are workaholics. You can’t stop working, because if you do, it unravels all the work you’ve already done. You have to keep going, or you’ll die.

Or at least that’s how it feels.

How about that?  I admit, I was one of those people that thought, maybe this is just some girl who got lucky riding the Stephenie Meyer wave, pretty much like how she described it above.  But of course, while she must have had some luck along the way (as most successful writers do), she succeeded because of hard work and persistence– not just in writing and editing but also in promoting and marketing her books.

While I do envy Hocking’s success, what I envy most is her determination and sense of urgency.  She’s not an overnight success, even if that’s what the media is painting her out to be.  She has been writing for years, written 19 books, with 8 novels and 1 novella published.  She didn’t get e-published until April 2010, and since then has sold 900,000 copies across 9 titles.

That’s the mental stuff I need to develop — that burning desire to work every waking moment I get, continuously striving to perfect my craft and work.

Kind of like what Charlie Sheen is doing right now — making the most of his life (and winning!).

Movie Review: Gnomeo & Juliet (2011)

March 5, 2011 in Movie Reviews, Reviews

William Shakespeare’s Romeo and Juliet is an all-time classic.  Animated garden gnomes are deliciously cute.  Elton John’s music is sensational.  James McAvoy and Emily Blunt are both likable Brits.  But the culmination of all of these things, Gnomeo & Juliet, is one of the worst animated films I’ve ever seen.  And it’s in pointless 3D.

I had reasonable expectations for this one for the above reasons, and the fact that the promotional campaign made it look like a fun, funny, musical spectacular with an all-star voice cast (including, apart from McAvoy and Blunt, Jason Statham, Stephen Merchant, Michael Caine, Maggie Smith, Ozzy Osbourne, Patrick Stewart and Hulk Hogan!).

But somehow, Gnomeo & Juliet turned out to be painfully unfunny and entirely uninspiring.  How could this be possible?  The garden gnome jokes were essentially exhausted in the first few minutes, and the rest of it was repetitive and unclever.  Yes, the garden gnomes were cute, but that alone wasn’t enough to carry the film.  I actually had a couple of micro naps during the film, which has not happened since Van Helsing.

Worse still, Elton John’s music was criminally underused.  How they managed to screw up something with so much potential is beyond me.

The worse part is probably the lack of heart.  I wasn’t moved at all by the story or the characters.  Disney/Pixar/Dreamworks are light years ahead when it comes to creating a cartoon that connects with audiences.

And yes, once again the 3D served no purpose other than to rip people off.

1.5 stars out of 5

Back to Writing Class…and I’m Excited!

March 3, 2011 in Misc, Novel, On Writing, Study

Kiss goodbye to not writing enough!

Following a lengthy period where I didn’t do nearly as much writing as I expected or wanted to (though I did find out that I’m about to, ahem, become a ‘published’ writer, in a ‘book’, no less), I finally returned to writing class this week.

Admittedly, I was a little frightened, a little concerned about whether I’d be able to get back into the swing of things, whether I could handle the workload, and whether I could handle even more workshopping.  This term, the final term, is where I would have to put everything I’ve learned together and produce a lengthy piece of work — with a view of getting it published.

And so I was somewhat nervous before class last night — I could tell because I was extremely thirsty.  But things got slightly easier when I saw that our lecturer was the same one that taught me last year for another subject.  I really enjoyed his teaching, even if he did like to show off a bit.  It also helped that there were a few other familiar faces in class (including a couple of brilliant writers).

As the class got underway, I relaxed a lot more.  As it turned out, the syllabus was very similar to previous subjects.  Yes, there are presentations and lots of workshops, none of which I really like, but I know they are effective in building me into a better writer.

Anyway, back to this major project.  I’m very lucky because I’m doing this term full time and don’t have to worry about work (apart from the occasional freelance article or review I sign myself up to).  Others who are working full time have to squeeze time out of somewhere, usually on the weekends — though on the flip side I guess you could say that they might be more efficient because time is so precious.

I had actually considered applying for a full time job (well, 35 hours a week, flexible) at a well-known magazine publication, but after last night’s class I think I’ll hold off for a bit.  I absolutely need to nail this major project, and I’m prepared to pour everything I have into it.

The question is, should I write a novel (or novella) or a screenplay?  Both will be based around the same idea, but they are very different formats.  Some say I should do a screenplay, because it is potentially easier.  Others say maybe a novel first, and then adapt it into a screenplay.  Our lecturer told us yesterday that screenplays is where the money is at.

However, the one thing that is making me hesitant about writing a screenplay is that my supervisor will be somethat that doesn’t exactly share the same tastes as me.  He/She did give me a good mark when I did the screenwriting class last year, but we disagreed on a lot of things.  He/She is more of an ‘arty’ filmmaker, whereas I like my stuff fast-paced, witty and sharp.  He/She does appreciate humour but does not think violence can be funny, whereas I think it can be hilarious, in a dark comedy sort of way.

So right now I am leaning towards a novel, a fictional memoir of sorts I’ve been contemplating on writing since about this time last year.  Either way, I’m excited because I know having this as a ‘subject’ will force me to get myself into writing shape and minimise the procrastination and laziness.

I need to break these bad habits I have formed while living a life of relative leisure.  I need to use the power of my mind, like Charlie Sheen.

Winning!

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