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Movie Review: The Social Network (2010)

October 31, 2010 in Movie Reviews

Admit it.  When you first heard that they were going to make a movie about Facebook, you thought it was going to suck too.  I certainly did.

But throw in Fight Club director David Fincher, producer Kevin Spacey and The West Wing writer Aaron Sorkin, base it around a nonfiction book by Ben Mezrich (who shot to fame with Bringing Down the House, which was made into the movie 21), and cast a bunch of young rising stars, and The Social Network suddenly becomes one of the best films of the year.

It is probably important to note upfront that accuracy of specific events may not have been a priority for screenwriter Sorkin when he wrote The Social Network, so don’t watch the film believing it to be entirely true.  However, we do know for a fact that certain things did happen.  We know that Mark Zuckerberg, a former Harvard student, created ‘Thefacebook’, a phenomenal social networking site that now has more than 500 million active members around the world.  We also know that he was sued by a few people — the identical Winklevoss twins for allegedly ripping off their idea, and his former best friend Eduardo Saverin, who Zuckerberg completely screwed over.

That’s all I’ll say about the plot, but believe me when I say it is a cracker.  The tone is set in the very first scene.  The characters are fascinating.  The relationships are compelling.  The dialogue is razor sharp.  And it’s surprisingly funny too.

Jesse Eisenberg is brilliant as Zuckerberg.  He is mesmerizing to watch, and really makes you believe Zuckerberg is a genuine prick.  While Justin Timberlake has received mixed reviews as Sean Parker, the co-founder of Napster, some believe he is being tipped for a Best Suppporting Actor Oscar nomination.  Personally, I don’t think it weas an Oscar-worthy performance, but it was very good, and definitely better than what anyone was expecting.

The rest of the ensemble cast was terrific too.  The standout for me was the new Spiderman Andrew Garfield (Saverin), who grows on you as the film progresses.  But I really can’t poke a hole in any of the performances.  I think in years to come, The Social Network will be remembered as a classic that featured actors who went on to become superstars.  It’s already got Eisenberg and Garfield and Timberlake (all of whom should go on to bigger roles), not to mention Rooney Mara, Hollywood’s new Girl with the Dragon Tattoo.  Armie Hammer, who plays both the Winklevoss twins, was hilarious, a great contrast to their more serious business partner Divya Narendra, played by Max Mingella (son of the late and great Anthony).  Even Brenda Song, who has a small role as Saverin’s girlfriend, was dynamite in a couple of scenes.

The Social Network is captivating drama at its best, and I’ve already seen it twice.

4.5 stars out of 5

Editors need love too!

October 30, 2010 in Novel, On Writing, Study

Last week, we had an award-winning author come speak to our editing class about the relationship between writers and editors.  She’s worked with editors from around the word, but she has also been on the other side, for she once worked as an editor for a collection of short stories.

It was fascinating to find out just how closely some authors worked with their editors, and how little credit editors seem to get despite how much they put into the published product.

First-time authors like to think that once their manuscript is accepted by a publisher, there is nothing left to do except wait for the advance and royalties to roll in.  But of course, there will probably have to be rewrites and rewrites and rewrites, even when the author is probably exhausted and never wants to touch the manuscipt again after working on it for god knows how many years.

One of the first times that the publisher does is to get an editor to review the manuscript and write a structural report to the author with a list of high level suggestions on how to improve the manuscript.  So not typos or grammar — these are crucial or fundamental things the author has to go back and try and fix or improve, things that may take weeks or even months.  Like point of view, voice, structure, character, dialogue, the beginning, the end — things that could change everything!

Anyway, this author that came to speak to us raised some interesting issues.  She said that authors (especially first-timers) are usually hyper-sensitive about their manuscripts because they are anxious about whether it works and whether it will sell, so any criticism can depress them and reinforce their anxieties.  Accordingly, mass overreactions are not uncommon.

But on the other hand, authors need editors to make them feel comfortable, to tell them what works and what doesn’t work in the manuscript in the nicest, most soothing way possible.  It needs to be a relationship of trust, not power.  Therefore, the structural letter always starts off with praise.  The constructive criticism will come eventually, but first the author needs to feel good about him or herself.

The author told us about a devastating structural letter she received once from an overseas editor that she has never gotten over.  I won’t repeat what was said but it was enough to kill any writer’s confidence, even one that has received critical acclaim and won literary awards.

Okay, so I understand the author’s ego is fragile, and some editors can be dicks.  And yes, the author does write the book.  But don’t editors deserve more credit for helping authors get there?  How many books have gone from flop to international success because of suggestions an editor made?  Don’t they deserve more than just a regular paycheck and a thanks in the acknowledgments section?

Movie Review: Fair Game (2010)

October 27, 2010 in Movie Reviews


Fair Game commences across Australia on 25 November 2010

I’m just going to come out and say it.  Fair Game is one of the best political drama-thriller I’ve seen in a long time.  And no, I’m not talking about the Cindy Crawford, Billy Baldwin classic of 1995.  This Fair Game stars Naomi Watts and Sean Penn, and tells the amazing true story of Valerie Plame, a former CIA operative, and her husband, former US ambassador Joe Wilson.

Admittedly, as a non-American, I knew very little about Plame’s story when I went to the screening, and I made a conscious effort to steer clear of any spoilers.  So I’m going to try and not give anything away here, except to say that Plame worked as a CIA operative and the story is set around the time the US made the decision to invade Iraq based on faulty WMD intelligence. Both Plame and Wilson played roles in that intelligence gathering process.

Directed by Doug Liman (best known for The Bourne Identity and Mr & Mrs Smith), Fair Game is carried by its riveting plot and dynamite performances from Watts and Penn, who should both be in the running for Oscar nominations.  It provides a fascinating insight into how the US manipulated the intelligence to skew their decision towards war, and the devastating impact on the lives of those who tried to unveil the truth.

At its heart, Fair Game is about the relationship between husband and wife, and the strain their jobs and beliefs puts on it.  Watts and Penn’s performances more than make up for any deficiencies in the script, bringing Plame and Wilson to life.  This was so important because the film would fall apart if the audience doesn’t care about the characters and what happens to them.

On the other hand, Fair Game is far more than a domestic drama.  There is tension all throughout the 106-minute running time (very suitable length for a movie of this kind) — from Plame’s dangerous operations in the field to even just a seemingly friendly dinner party.  There are no slow bits.

Of course, there are people out there who will already know a great deal about “The Plame Affair”, and have their opinions of the couple.  And if that opinion is negative, then they will probably hate this film, because it does come across as a little self-righteous.  It is, after all, based on books written by Plame and Wilson, so we effectively only get their side of the story.  I also read in the press materials that because of “national security” reasons, the filmmakers had to sidestep certain things and fictionalise certain aspects of the film, such as particular situations or characters by depicting something or someone “similar” as opposed to the real thing.  So yes, the “true story” part needs to be taken with a grain of salt.

But to me, Fair Game is just a great story, fabulously told and wonderfully acted.

4.5 stars out of 5!

Book Review: ‘The Moneyless Man’ by Mark Boyle

October 24, 2010 in Book Reviews

For most of us, a life without money is downright unfathomable.  It’s what our lives are all about, whether we admit it or not.  We’re always trying to think of ways to make more money because we know it will make life easier, more comfortable, and ostensibly, happier.

According to former businessman Mark Boyle (who resides near the town of Bristol in the UK), this is no way to live, especially if we are concerned about the future of our environment.  In this capitalist world, we are consuming our finite resources far quicker than is feasible in the long-term.  In our desperation to make more money, we have become ignorant, or worse, indifferent, to the damaging effects of our excess consumption and mass wastage on the world we inhabit.

So Boyle decides to run a little experiment — living without money for an entire year — and it’s chronicled in his book, The Moneyless Man: A Year of Freeconomic Living.  The term ‘freeconomic’ means, essentially, living without money.  People who live (or try to live) this way are part of the ‘freeconomy’.  It’s actually something Boyle has been promoting for some time.

I was reviewing this book for a trade publication, so I had to read it, but even if I didn’t have to, I think I would have been equally fascinated to learn how someone could live without money for a year.  Without the ability to make, receive or spend money, how does one pay for the basic necessities of life, such as food and drink?  What about shelter, if you can’t pay the mortgage or the rent?  And water and electricity and other fees, if you cannot pay any bills?  And don’t let me get started about cooking, toilets, tooth-brushing, showering and cleaning.

I don’t want to give away too much, but the stuff that Boyle does is in the book is not as horrific as some would have imagined.  According to his own rules, he can’t just be a bum, living off welfare, generosity and handouts.  He must be self-sufficient, even though he can accept the occasional ‘freebie’ if it is something he would have accepted ‘normally’ anyway (like if a friend asks him over for dinner).  So for example, he uses Freecycle to get himself a free caravan that the previous owner wants to get rid of.  He goes foraging for wild food, works for grain, and goes ‘skipping’ in supermarket dumpsters (it’s all edible, packaged food thrown out because of legal use-by dates).  He doesn’t bar himself from using products manufactured by the capitalist world, as long as it doesn’t cost him a dime — eg a mobile phone that can only receive calls, or a laptop run on solar power.

The book is written like a memoir with an essay tinge to it, plus there are plenty of practical tips for people who may want to try living in a more environmentall friendly, and money-saving manner.  Even though Boyle is not a mindblowing writer or anything like that, he tells his story with a much-needed sense of self-awareness and humility.  He knows (to some extent) how he must look to most of the civilised world.  He doesn’t proclaim to have all the answers and he tackles the tricky grey areas head on without self-righteousness.  While he is definitely an idealist, there’s still a little bit of a realist in him somewhere.  As a result, the book is refreshing and fascinating, and thankfully not an in-your-face condemnation of the way you live your life.

Of course, you don’t do something like this and not have your fair share of critics.  Just speaking to friends and reading around online, it seems most people start off with a very cynical stance towards Boyle.  Is he just seeking attention?  Is he a delusional hippy who has lot touch with the practical realities of life?  Isn’t he a hypocrite for signing a book deal that will earn him money?  And is this just an experiment or will he continue with it at the end of the 12 months?  (For those wondering, he does address the last two questions, and you may be surprised by the result)

It’s easy to call Boyle a hypocrite (as many of his critics have done), but so what?  That doesn’t make what he says about excess consumption and wastage any less truthful.  Instead of trying to pick holes in his philosophy, perhaps we should start thinking in a more positive, more constructive way.

I wouldn’t call The Moneyless Man a life-changing book.  Most of the stuff that Boyle does and proposes in the book are too extreme for the vast majority of the population.  But that doesn’t mean we can’t take away a little something from his year of freeconomic living and try to make a few changes in our own lives.

3.5 out of 5

Movie Review: The Loved Ones (2009)

October 22, 2010 in Movie Reviews

‘The Loved Ones’ screens in Australian cinemas from 4 November 2010

I find it strange that an Australian movie with Australian actors is already on DVD overseas and it hasn’t even shown here in Australia yet.  Lucky for me I caught a media screening of it earlier this week.

Nevertheless, The Loved Ones will no doubt generate plenty of interest for one big reason: Xavier Samuel (you know, that boy Riley from Twilight: Eclipse — it seems anything remotely Twilight related will kick up a storm these days).

In The Loved Ones, Samuel (who is almost unrecognisable without his Bieber haircut from Eclipse) plays Brent, a grief-stricken 17-year-old who is asked to ‘prom’ by a seemingly shy girl, Lola (Robin McLeavy).  When Brent refuses in favour of his girlfriend,  it becomes the worst mistake he’ll ever make in his life…

The Loved Ones has been described as Wolf Creek meets Pretty In Pink, though to be honest it reminds me of neither.  It’s a teen horror that feels eerily familiar, probably because it takes elements from a lot of other torture-porn horror films like Hostel, Saw and The Texas Chainsaw Massacre. As a result, while there isn’t anything completely like it as far as I know, it just doesn’t feel particularly fresh or original.

That said, it still provided some very decent scares (particularly visceral ones that challenge you to not look away), and I must admit there were a couple of nice little surprises thrown in there that I hadn’t expected.  The characters, especially the antagonists, are not well-drawn out at all (we needed more time with them in the ‘normal’ world), but they certainly are twisted and demented.

Not all of the scenes and dialogue worked in my opinion — they were a little clunky in some parts when you could tell the intention was to make the characters creepy, except they weren’t.  However, later events and sequences definitely make up for it.  The film is probably a lot more clever than I give it credit for.

As far as low budget horrors go, this is certainly one of the better made ones, especially by Australian standards.  At a trim 84-minutes, it gets straight into the action, wasting very little time from start to finish.  And despite there only being a handful of characters, everyone had a purpose and all the subplots were tied together nicely.

One of the things that annoyed me for some reason was the deliberate Americanising of the school aspects of the film.  Even though it is set in an unknown part of rural Australia, for some reason the school reminds you of every American school you’ve seen on TV, from the casual clothing to the lockers to how everyone runs out a second after the bell rings.  That decision, perhaps to connect with American audiences more, took away some of the Aussieness of the film.

Ultimately, The Loved Ones isn’t anything special, but if you want to be scared and disgusted (in a kind of fun, entertaining way), it should have no problem getting the job done.  If not, just watch it for Xavier Samuel.  He’s actually very very good in it.

3.25 out of 5

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