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Writers: Critical or Commercial Success?

May 6, 2010 in Novel, On Writing, Social/Political Commentary

Say you’re hoping to become a writer.

What is it you’re aiming for?  Is it to finish a short story and submit it for a competition or publication in a magazine?  Or is it to write a full-length novel?  Do you want to get published or is it enough that you’ve finished it?

And say whatever you write becomes successful.  Would you prefer that success to be critical or commercial?  Of course, the answer is probably both, but if you only had the choice of one, which would it be?

Actually, let’s face it.  Critical success alone won’t, in the words of George W Bush, “put food on your family”.  If you weren’t already wealthy and were faced with the choice between loads of money and the adulation of other people, I think it’s safe to say most would choose the former.

But say critical success would also bring about some level of commercial success (like many of the literary award winners), not enough to make you stinking rich, but sufficient for a comfortable living (and maybe a little extra).  Would that be preferable to being a massive international bestseller that is widely panned by critics?  Sure you’ll become insanely rich, but you’ll also be the subject of ruthless articles and extreme jealousy from peers, suffer pressure galore from fans and publishers, not to mention you’ll be recognised just about everywhere you go and no longer be able to live your old life like you’re used to.  In other words, you’ll become Stephenie Meyer.

Does that make it a little harder to decide?

[PS: I can't believe I just missed the advanced screening of 'Letters to Juliet' to write this crap.  Hopefully the movie sucked anyway.]

DVD Review: A Serious Man (2009)

May 5, 2010 in Movie Reviews

I am admittedly biased when it comes to films by the Coen brothers.  After all, they are the creators of one of my favourite films of all time, Fargo, and plenty of classics such as The Big Lebowski and No Country for Old Men.

Their latest project, the black comedy A Serious Man, has received little commercial fanfare despite being widely acclaimed by critics as well as receiving multiple award nominations (including Best Picture at the Oscars).  I wouldn’t say A Serious Man ranks right up there as the Coen brothers’ best work, but I think it is certainly one of their better films, one that will almost certainly achieve cult status (if it hasn’t already).

A Serious Man tells the story of an ordinary, rather spineless Jewish man in the 1960s who is struggling with everything that is happening in his life, from his health to his family to his job as a physics professor.  It is supposed to be loosely based on the book of Job from the Old Testament.

Don’t let that rather dry description put you off this film.  To be honest, there isn’t all that much of a ‘story’.  A Serious Man is really more like a series of interconnected events that keep happening around the central character Larry Gopnik (played by the brilliant, but largely unknown actor Michael Stuhlbarg).

But somehow, the Coen brothers manage to make A Serious Man compelling and compulsive.  I couldn’t stop watching as one thing after another hits poor Larry, seemingly at random.  You simply don’t know what to expect.

I love the Coen brothers’ brand of humour — that insanely dark, quirky, random humour that pops out of nowhere and is equally hilarious and disturbing.  In A Serious Man, the laughs are somewhat sporadic, but they are always brilliant and strangely insightful.  My favourite sequences involve Larry and a Korean student named Clive (as well as Clive’s father), who is trying to reverse an F grade that would cause him to lose his scholarship.

As much as I enjoyed A Serious Man, I can understand if others hate it.  The Coen brothers often make such polarising films and it’s never possible to please everyone.  Parts of the film are slow, and on the surface at least, it sometimes feels like the narrative has no direction.  There is a very odd prologue set in the early 20th century at the beginning that has seemingly no connection to the rest of the film.  And if you thought the ending in No Country for Old Men was messy and unsatisfying, wait till you see this one.

Having said all that, I enjoyed every minute of A Single Man.

4.5 stars out of 5!

You dirty rat, you stunk up my house!

May 5, 2010 in On Writing, Uncategorized

Master Splinter

Or not.

I just had a visit from the exterminator.  Over the last month or so, we’ve been smelling this strange odour emanating from my sister’s room (she doesn’t live here anymore).  Initially, it was just a whiff of something that would be gone by the time you went back to smell it again, but eventually it was obvious the source of the smell was the room.

It was unlike anything I had ever smelt before.  I wouldn’t necessarily say foul, but it was certainly unpleasant.  Coupled with the occasional scurrying noise in the roof and some black stuff that look like droppings out on the veranda, I decided we must have a rodent problem.  More precisely, a dead rat somewhere in the roof or between the walls that was decomposing and stinking up the joint.

Being the coward that I am, there was no way I was going to go up there and take a look around myself.  Having watched so many horror movies as a kid, there was always something hiding in the roof or attic.  It just wasn’t going to happen.

So I called around and got an exterminator/pest control guy to have a look around.  Usually, we try and air out the stinking room, but from yesterday I kept all the windows and the door shut to really give the guy a good whiff of the devil.

The dude, Sam, arrived a little late but he was friendly enough.  Asked me about what I was doing and said he was glad I’m doing something I’m passionate about.  It’s something he keeps trying to teach his kids.  I didn’t ask him why he was passionate about pest control.

Anyway, the first thing he said when he entered the room was that it wasn’t a rat smell.  According to him, a dead rat would smell “much, much worse”.

Nevertheless, he went through the tiny manhole in the ceiling and went up into the roof to scope things out with a bucket of rat bait.  After much rattling (no pun intended) and thumping around, Sam came back down and said there was absolutely nothing.  No dead rats.  No live rats.  Definitely no smell.  Tiny evidence that something has been up there, as there has been a bit of chewing of the air conditioning stuff, but he said it’s likely they were just visiting and nothing is living up there.

So the mystery of the smell continues.  I just went in like a sniffer dog for another look, but I still couldn’t pin point the source of the odour.  It’s just…everywhere….

Oh well, at least this whole debacle has given me a great idea for a short story.

[PS: When Sam left, I asked him about some of the worst stuff he has seen. He said that he'd never go eat at an Indian restaurant, and the cleanest place to eat is home.  His words not mine.]

Mayweather Outclasses Mosley; Is Pacquiao the Only One That Can Beat Him?

May 2, 2010 in Boxing

So much for my prediction.

Floyd Mayweather Jr was absolutely scintillating in dominating and outclassing Shane Mosley in their welterweight bout at the MGM Grand in Las Vegas tonight, winning an easy unanimous decision with scores of 119-109 (twice) and 118-110.  The win raised Floyd’s unblemished record to 41-0 (25 KOs), while the 38-year-old Mosley dropped to 46-6 (39 KOs).

Now the question is two-fold: (1) will Mayweather and Pacquiao ever fight each other; and if they do (2) does Pacquiao stand a chance?

(read the fight analysis and the Pacquiao question after the jump!)

Read the rest of this entry →

Movie Review: Iron Man 2 (2010)

May 1, 2010 in Movie Reviews

It was always going to be an uphill battle for director Jon Favreau in creating a sequel to Iron Man that lives up to the original, one of the best superhero films of all-time (along with The Dark Knight, depending on personal preferences).  Despite a valiant effort, as expected, Iron Man 2 falls short of its predecessor, but that doesn’t mean it isn’t still a fun, thrilling superhero action film.

Iron Man 2 begins where the first one ended, when weapons genius Tony Stark (Robert Downey Jr) reveals to the world that he is indeed Iron Man.  To be honest, there’s not a whole lot in terms of plot.  Most of the film is about the brilliant and cocky Stark as he struggles to deal with being a superhero and facing his own mortality.  Meanwhile, he has the US government pressuring him to give up his invention, a couple of new villains on his back, and dealing with a range of difficult personal relationships all at the same time.

The cast is again brilliant.  Apart from the sensational Robert Downey Jr as Stark/Iron Man, there is a brand new Russian villain, Whiplash (Mickey Rourke), a new competitor by the name of Justin Hammer (Sam Rockwell), and a sexy and mysterious new assistant Natalie Rushman (Scarlett Johansson).  Characters returning from the original include secretary Pepper Potts (Gwyneth Paltrow), supportive friend Happy Hogan (John Favreau), and army buddy Lt Colonel James Rhodes (played this time by Don Cheadle, replacing Terrence Howard).  Samuel L Jackson, who appeared in a cameo after the end credits in the original, has a slightly bigger role this time as Nick Fury of SHIELD.

Robert Downey Jr shows once again why he is getting all the biggest and best roles in Hollywood.  He is totally believable as a genius, a narcissistic prick and a superhero, sometimes all at once.  For me, Sam Rockwell absolutely steals the show as jealous rival Justin Hammer.  He is equal parts pathetic and dangerous, but always hilarious.  Mickey Rourke is also very good as Whiplash, his performance giving the character a dimension not achievable from a lessor actor.  Scarlett Johansson felt somewhat underused, though she did get to strut her stuff for a brief moment.  If there is a weak link, it’s Don Cheadle, whose straight-faced performance doesn’t live up to the deadpanning foundations laid down by Terrence Howard.

As for the action, most of Iron Man 2 felt more subdued than what I remembered from the original.  That is, of course, until the final battle, which is insanely exhilarating.  There’s more machines, more weapons and more explosions than the first film, but because it lacks that unexpected freshness and attitude, Iron Man 2 has less of a “wow” factor.  And for some reason, I felt there were a few moments where the film sagged a little.  A stronger script with less subplots and fewer characters may have served the film better, but these are relatively minor complaints.

The first Iron Man film blew me away because it was so different and fun.  Being a sequel, Iron Man 2 started from a disadvantaged position because it is stuck with the parameters it has set for itself and consequently has become so much harder to surprise.  That said, it’s still a solid film which is a lot of fun and about as well as you could have expected under the circumstances.

3.75 stars out of 5!

[PS: If you want to stay till after the credits there is a short scene which introduces us to Thor's hammer, which I believe is for a different franchise.  It's a long wait and a short scene that doesn't show much, so only stay if you really want to see it.]

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